fresh off the new album here are 4 amazing remixes for the biggest tracks from das pops selftitled album: >never get enough<, >fool for love< & >underground<, remixed by goose, djedjotronic & busy p, aeroplane and van she.

a1) new love - this elevating new track is deep, funky and sexy. the beat is ever growing, the bass never ending. disco mixes with deep winking and eye to electro. b1) low down - sounds like a completely different atmosphere. still funky, its the perfect tune for a poolside party in la as the sun is going down... smart, sexy ladies get the party started moving to this disco house dance tune. b2) dont stop is the natural conclusion to this 12inch. we re at the break of dawn when this drops, as the sun is rising. slow bpms and vocal intermissions for those whose feet still want to move to the groove.

classic sounding track by two long going and respected techno heads.. fabrice lig and titonton. these guys take it back to the early nineties when techno was still fresh and new... the days that titonton and dan curtin were debuting with their sophisticated techno sound. raw funky 909 percussion, bleepy analogue synths and great warm string sounds and beautiful melodies. purist techno tracks that never go out of style and reminds the old blokes why we loved techno in that period so much. and it shows the young cats that there is more then the standard dj tool techno! beanfield is on remix duty here... and he delivers an updated modern dancefloor friendly house version with a great string section that reminds a bit of knights of the jaguar and a killer bassline after the break. check!

back in !!

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

adam beyers drumcode is synonymous with the global sound that is techno. never content with resting on previous achievements, drumcode has taken on a fresh relevance in 2009 with a string of standout tracks from a new wave of producers like paul ritch, alan fitzpatrick, joseph capriati and tiger stripes to sit alongside established names like joey beltram, joel mull and adam beyer.

the hidden cameras never fail to capture the imagination. orchestrated by leader joel gibb, their live spectacles are unconventional to say the least ? everything from blindfolded band members and string players to go go dancers shimmying alongside gospel choirs. the hidden cameras latest work, origin: orphan, is equally ingenious as the four previous albums.

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

for the second cassius records and to carry on with the youth speed, trouble, cigarettes adventure we give you four remixes done by talented producers across europe from milano italy… reset! we met the three kids from reset! in magazinni generale while playing, their set was powerfull but also full of respect and influences from hip hop, soul and dance music in general, we finished our sets back to back and since this day love them their trouble mix could have been done by the jbs if they were still twenty something and into house music… it rocks and never stopsno use to present the music from radio slave, the big difference with a majority of other producers is that we both can recognise his tracks in a few bars only, also in the way it streches to crazy length and takes you in a trance that could have come directly from lagos in 1973 matt embrace the same philosophy we all cherish at cassius records the no boundarys way hes more than minimal, more than electro more than techno he stripped down ystc to the max and his remix played at the good time on a good system is a true chicagoan infused gem then after chaos

a project from spain that was delayed cause we simply lost contact with the artists at the point of signing. the duo seemed to have strong bonds with a spanish clique of the notorious central american gang ms-13. sadly enough, the main producer is in lock-down for a crime committed in the us and therefor we never had the chance to finish this project. it will now be released (finally) as part of the limited when insanity slips in series with a handnumbered screened printed sleeve. the music is pure electronic chaos (think ultradyne). pure analog terror from a project that already ended before even getting signed.

s.c.u.m. is back and with a plate that ll rock you right off your socks! none other then zero g has been selected to drop his long lost ransom tune that has been cained by almost all the bigshots and even was featured in ruskos essential mix! now this tune finally sees the light of day and ready to rock the dance floors on a global scale. dj nicon of rotterdams subway crew was big fan of this tune from the start and was surprised this never got a release. so naturally this got scooped for his personal scum imprint asap! and of course no release is finished without a suitable b side so flip it over for scorpion! a brand new club banger that delivers the dubstep sound ever so crispy! if your into the heavy side of dubstep then get on this!! play support: skream, benga, walsh, marlow, seven, 501, reso, matt-u etc.

remute heats it up to the max with his new monster-tune blaeserli. massive techno-sounds youve never heard before! promised! comes with a kickin rmx by deepgroove & jamie anderson, who had an amazing year with stunning releases on cocoon, rekids, harthouse, and more

nope, this man is not a legend, yet! however he is in fact legendary already for his notorious live sets as well as a wide range of groundbreaking styles and sound he designed apart of the consensus way in the last 15 years. with his now presented astrodymics part1, richard bartz deals similar to the subway concept again with his past and transfers these late nineties space-disco drafts into the wonderful here and now. he delivers vivid funk-supercharged house which is at the same light as a feather and for sure a very sudatory matter. space-disco rules

the process of artistic creation is fundamentally determined by the environment of the artist. some cities and geographical locations are synonymous with the artistic techniques and crafts in which their populations became specialized. the muted and subtle sunsets of monets paintings are nothing else but a truthful interpretation of the actual nuances of a parisian twilight - along with a great dose of the artistic wizardry.
these cities and their artistic communities, are the legendary ones that remain in history. defending a fantastic track record in electronic music throughout recent times, rosario - the capital city of the santa fe province in argentina - is one of these places.
franco cinelli, nico purman, andres zacco and jorge savoretti are the leading figures who have, over the last decade, turned rosario into the great sound lab that it is. while developing their own sound and story individually, these boys never forget about their common origin, and the vibe that truly unites them together. on this occasion, they all come around remixing their young friend capes >le post< ep.
this record is pure mother of pearl. it is a tribute to rosario and its prolific actors.

quintessentials is celebrating its 10th release with a compilation of deep, raw and real house music! splitted in 2 parts, >deep, raw and real< features some of the hottest producers around presenting their vision of current house music. part 1 features exclusive tracks by motor city drum ensemble (unstoppable with his own label and countless top remixes), anton zap (the quintessentials homie with a deep dubby track), knarf skipson (still in good shape after his latest 12 inch) and kasper (another top newcomer and name to watch). we say too: thanks for purchasing a real copy! part 2 coming soon: jagged, the zohar, stl, vakula

dj rekless releases another stunning bassline ep for the undisputed label.

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

a warehouse found !! just a remarkable twisted tribal / proggy house classic!! underground will live forever baby, just likes roaches, never die!!!

classic detroit house alert! rick wilhites >godson ep< originally got released on moodymanns kdj label in 1997 and was never repressed… until now. all tracks got remastered and this release includes a bonus unreleased moodymann remix. check that original detroit house vibe.. big release!

next 12 inch on the new sub-label by munich-based gomma records for their output of club-focused 12 inch maxis - telonius gets the remix-treatment by zombie nation and moulinex !!! with his project telonius, jonas imbery one of the 2 chiefs of gomma records is returning to his musical roots - early house music from the 80ies and 90ies. his inspired dj-sets convey a dense and rich musical texture, spanning from frankie knuckles warehouse inspired retro house and loft-style disco music to brand new club productions. never sounding stuck in the past, but with both feet firmly based in the current musical streams of electronic club sound, which also shows in the productions for telonius.

quality house ep with vocal & deeper tracks to keep fans of this great label more than happy..! dynamodyse is the deepest german we know and he is hailing from dortmund, usually only known for sausages and the odd good result of the local football team. as we dont believe in stereotypes and we have been listening to loads of superb teutonic house music these last years, we never questioned the association between the words deep and german and we just listened to the music. safe to say it blew us away.

supplement facts records is excited to welcome yakine to the label! the hot french producer has already added the fantastic zenalia to supplemental compilation you never walk alone and after releases on circus company, je taime and esperanza, is in the form of his life. his blend of contemporary house music, with a playful touch has seen him become a regular in the record boxes of the biggest names. he is one of the shining lights of the parisian house scene, and has one of the brightest residencies in the city at weirdo magnet @ rex club. today we bring you his maissade ep

the sound of the sixties and seventies has never been so sought after as at the present moment...

little dragon return with a spectacular second album offering in august, a pulsating electro pop epic that prince would be proud of (only fronted by a beautiful swedish lady with a sultry voice). a bold and surprising side/two step onwards from their self titled debut, released two years ago to great acclaim especially among specialist circles. machine dreams, with its nagging hooks and gloriously infectious tunes, should finally see the band break out into the mainstream.

absolutely massive dop rework! will and tam went back to their roots and dusted off the sampler for >teddy s back<. strings and vocal cuts bring the soul and their trusty 101 delivers the bass line. as with many of their previous tracks together all the percussion is recorded in live - >because it sounds better and is fun to do<. they set out to achieve something that was heavy, rolling and organic yet with memorable moments that doesnt disappear into a never ending ableton conga loop... the original is already a firm favorite with the wolf + lamb crew and gilbr from chateau flight has also been supporting it for many months from an early version. our parisian friends dop deliver the goods on a major level with their remix. a truly filthy yet undeniably infectious song penned after a recent gig at the infamous berghain is backed by a surefire rhythm track and arrangement that is designed to move bodies. in wills words >not one i ll be playing to my mum<. just how we like it!

limited edition vinyl sampler from cutting edge crosstown rebels digital only label - cdr.
featuring two killer cuts from two forthcoming cdr digital only singles. cdr sampler volume 1, features >la pineta< taken from santos >casa marron< e.p. (cdr006), and on the flip riz mc >don t sleep<, tiefschwarz remixtaken from cdr007. >la pineta< is a primetime dancefloor fodder, hot on the heals of his recent release massive summer smash on moon hardbour >hold home<, >la pineta< is a loopy, driving, peak time monster of a tune, incessant and relentless this mother of a tune never gives up until it leaves you broken!
the aa side features a cut from the forthcoming riz mc single on cdr, >don t sleep<. the digital release features two fantasticremixes, one by jonny white & kenny glasgow, and the other by tiefschwarz, featured on this vinyl sampler. this tiefschwarz remix, finds the guys in great form as they twist and turn the original into an off-kilter, dark, edgybeast of a remix... don t sleep. two choice cuts on one limited vinyl sampler, get them while they re hot as they are going live and limited!

classic coldplay album!! originally released in 2000!

successfully tried and tested on dance floors of all shapes and sizes throughout the world, these never before released cuts have rocked migs sets for a few years now. after countless requests from djs and dance music lovers around the globe, salted is delighted to deliver and share these rare little gems with you all!

following the great international success of glitterbugs album >supershelter<, everyone has been curious to hear what this unique and unmatched producer will bring us next. and truth is, there is a lot! glitterbug has been working on piles of new enchanting materials, tracks, projects and remixes.
as a first release in a series that will lead to his next (double cd) album, is the >dim flares ep<: a dream-like, intense and deep moody ep that carries that very special glitterbug sound to a whole new level, touching on deep emotional techno with a utopian 4/4 perspective.
this beautiful ep opens with >so much more>, an epic track that releases its melancholic-euphoric mood slowly over the course of 9 minutes, turning itself into a beautiful, hopeful, hand-raising screamer that floods the dance floor with overwhelming warmth and heartfelt love. side a ends with >deadpan<, an intense dark ambient miniature that lets us peak at glitterbugs world of score-like ambient compositions.
the b-side begins with >daubed beams<, a deephouse track all glitterbug. >daubed beams< feels like what mid 90s detroit techno released on warp would have sounded like: unbelievably deep, pensive, warm, divine and pumping.
c.sides latest emotive ep culminates with >be content<, a warm track with a deep drive of warped pads, a dark bass-line, airy percussion and unforgettable arpeggios. this exhilarating dance track is layered with bottomless emotions, the kind you want to close your eyes to, hug the person dancing next to you and wish it would never ever end.
the >dim flares ep< is the first in a series of 3 magnificently moving eps (by glitterbug, christian löffler, and a collaboration between glitterbug & ostgut ton s murat tepeli) to be released on the c.sides label in 2009-2010, all leading up to glitterbugs extraordinary next double album which is currently in the making and will be released in spring 2010.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

originally released in 1997!!

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

this 4 tracker comes deep and dirty. tube amplified driven grooves with colorful shining percussions - the unstoppable affectiv exciting melodies on top - plus the ever appearing bonus loops makes this again a very exceptional and personal sounding something twelve inch. the included dancefloor madness will shake your heads once you are down with it. house music that will move you, but also amaze your senses in relaxed listening situations. play that tracks in moody places and this record brings you into other orbits. finally this again has that typical stl vibes inside, for what he is notorious for, meanwhile. buy something - your turntable will be grateful!

the souvenir family grows this fall with two newcomers, two new remixes and four new essential tracks. please welcome warmly the global vibes of cj jeff, m-in and the remixes of kreon and sante on souvenir021. on the a-side, souvenir celebrates the talented greek electronic scene. c.j. jeff aka nikos safiris gradually built his sound through releases on his own label rythmetic or modern love. he signs a remarkable entry on souvenir with the a-side >got 2 b<. wave your arms! take a breath! a tribe of incredible bongos players is surrounding you, when the vocals of an androgyny shaman start compelling you to a never-ending foot-stomping dance. you are right, where you want to be. damn, it s >got 2 b< a hit. kreon has been raising a fair share of interest lately with appearances on cecille numbers, resopal or robsoul. he signed a dub remix and a perfect spell to push to the party to the early sun shines of the day. back to germany on the b-side! m-in aka marcus ferdinand from frankfurt has spread his talents of producer with releases for off or get digital, and early supports from josh wink, johnny d, thomas schumacher or dj t. again we are talking about deep sensations, haunting vocals and afro rhythms. the tiefschwarz brothers have hammered >capetown river boating< on the road this summer. now its your turn to send a blessing from south africa to your crowd. studio partner of ali and basti, philip sante maier has barely released >dambalaa< last month, that he is already back in production. nobody will complain. his trademark, a clearly percussive approach and a dizzying groove particularly fitted with >capetown river boating<. 2 - 2, we gladly go overtime!

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

a record which was originally slated for the fee records catalog, but never made the cut... one life to live was released on the private 4 reel label in 1980, limited to local distribution of only a small handful of copies. its back, but we are sad to say the artist passed away last year before he could see his re release realized.

mark stewarts first new material for 2009 has been a long time coming and features three new tracks recorded earlier on this year.
>chadderton< on the a-side is an astonishing slice of deep and woozy midnight house, complete with sleazy chords and a frayed spine that is primed for peaktime narcosis.
>above< opens the flip with relentless chords and a shuffling percussive line that never lets up, while >great day< closes the ep with a cathartic spell that ends almost as soon as it begins, letting in rays of sunshine through the dense thicket of sound that preceeded it.

perc trax returns with its 30th vinyl release with a split ep showcasing the works of both its newest and most established acts.
first up is ben gibson with 2 tracks that feature on his forthcoming perc trax album >in a realized luck of immanence<. both tracks instantly demonstrate what made jeff mills sign ben to his axis offshoot 6277. bens sound is a dense, atmospheric take on the now-classic uk techno sound of surgeon, regis, ruskin etc and both the rolling bass of >vanished between< and the sharp stabs of >wirklichkeit< prove that he is an artist to watch out for.
on the b-side label boss perc hooks up with the labels canadian connection metalogic to deliver 2 tracks that flit between broken beat and 4/4 rhythms with ease. both tracks feature an attention to detail that both perc and metalogic are known for with endless dubbed out synths and effects keeping the tracks interesting but never getting in the way of the crisp beats. these tracks have already been road tested around the world by perc in recent months and will be a key part of a launch party for this ep in toronto in october.

let me do yore starts off in tribal mode and then adds triangle and shakers to its relaxed percussive groove before shuttling off into the stratosphere where sheets of synthetic slivers dart past at lightning speed, the tracks bottom heavy pulse builds in intensity as claps and soulful voice swirls bring a delirious vibe to the proceedings. following a detroit tinged intro, a moment of truth slides into place with congas and claps helping it find its way. sizzling hi hats and a thumping kick drum deepen the groove while a funky bass line provides hip shaking accompaniment and marks the return of a house legend, who’s still at his best. soul never goes out of style, right?!

played by richie hawtin, loco dice, lauhaus, pheek, tim green and many more!
lessizmore continues with a striking fresh release from its new darker serie noire imprint. kane roth is working towards a mix of psycho-reactive minimal techno while tim xavier redefines kama sutra with playful bass lines.
kane s kama sutra is focused on a melodic audion-like gimmick. the track is remarkable by the use of typically pitched down vocals and massive kicks, it viciously hooks the listener.
yearning begins with strange and dark sounds but after three minutes holds the line with simple yet magnificent synth layers. in this track, kane is close to robag wruhme s delicate vision of techno music.
the remix of kama sutra constantly thumbs our nose at. tim xavier arrangements are mapped out with calculated intent, he pushes the track into a brilliant fun and never-ending roller coaster.

motorcitysoul are frankfurt veterans and deep house pioneers matthias vogt and christian rindermann (aka c-rock). vivid follows various successful releases (kazan and space katzle) on aus music, and their first debut studio album >technique< on simple. hailing from germanys own >motor city<, the pair have developed a reputation for creating soulful yet truely futuristic deep house that has a signature sound all of its own. >vivid< is trademark motorcitysoul û resonant evolving chord sequences, beautifully arranged organic percussion and >wild pitch< fx and loops combine to devastating effect. fellow frankfurter roman flugel gives the manheim house sound a damn good run for its money with a tight, loopy groove that locks you from the off. all kinds of detail and sound flourishes pop in once, never to be heard again, keeping the listener on their toesà.the package is completed with a percussion heavy dub that threatens to steal the show. roman flugel needs little introduction. one half of alter ego and one of the collective responsible for legendary labels playhouse and klang and not forgetting one of the finest clubs in the worldàrobert jonson

limited edition lp!
ironic? no, it’s dead serious: sally shapiro keeps on dreaming of barbie and ken. sometimes good things come to those who wait, as is the case with sally shapiro. one shouldn’t really imagine the bashful swede from göteborg, who never performs live, setting a new trend for turning down lucrative offers. and the thought that she is working on something hip, is most likely even a little eerie for her. after all, she s just into something, which she’s been doing since her childhood in the 1980s — singing songs in the style of her idol sandra (”maria magdalena“). if she hadn’t met her companion johan agebjörn, who despite his musical socialization with techno in the 1990s has been deep into italo disco for the past few years and is a collector of zyx records, sally’s passion for synthi songs and fairy-like female vocals would have remained private. however, johan was screwing together some italo-style songs when he asked sally (whose voice he’d only heard from a previous christmas party karaoke) if she would improvise on his soft keyboard tunes, their collaboration was a done deal.
subsequent to their first releases on the labels diskokaine and permanent vacation, sally shapiro suddenly found herself in the midst of the ultra-hip neo/italo-disco movement, which is especially big in scandinavia. why of all things on the northern peninsula, where one traditionally listens to black metal and indie rock played with legs spread apart, the peculiar, yet sunny disco music became such an export hit, stays one of the mysteries of the pop business. it’s a fact, though, that next to internationally celebrated norwegian neodisco-heroes lindström, prins thomas and todd terje, the lovely sally has become the scandinavian disco-act in the mean time.

the schaffhaeuser & friends series was so much fun to make and so well received, it now enters round three with an additional bonus vinyl. all tracks on this ep have never been released, not even on the cd edition of >unequal equality<.

urban nomad tolga fidan continues vakants limited series valt with a much sought-after track which has been around for a while. fidan, just moved to berlin a few weeks ago, says >so long paris< in such unique style that that we hope he will never leave berlin again. vakants valt series has been kicked off last year with onur Ízer and keeps on delivering music straight for the dancefloor.

with this new ep tom clark makes an impressive return to the highgrade release program. following a collaboration with marcus schatz and most recently with benno blome, he now comes back as a solo artist. after only a few beats, you’ll be sure to recognise his signature sound. tom needs surprisingly few elements to build a unique atmosphere and his matchless grooves. on the title track “scorpio“ we find a deep, rolling bassline and a slightly orientally influenced vocal, combined with the typically unique clarkish synth leads, and we’re ready to go. it’s a track that continually keeps the excitement moving while never letting the cat out of the bag, and more than deserves the a-side. then we come to “albino“, also featuring sparkling synths and rolling drums that create an impression of fluidity and an unhurried beginnings, but we also end up in a waterfall… who would have known!? in conclusion comes “sand flea“, as lively as a box of fleas, but not nearly as aggrivating! mister clark is again at his best, with a love for detail, an innate sence for strange sounds and an a significant quantity of leisurely energy, this tune also really hits the mark. this is not the work of a newbie who produces an aggressive sound to prove his talents. the result is the feature of this ep: seldom has an understatement sounded so fresh. + digital-only bonus track “12 notes“!

alan fitzpatrick is a producer who has been making everyone sit up and take notice since his first appearance on the scene a little over 18months ago. with various outings on fergies excentric music label, and his own 8 sided dice imprint and forthcoming records on the seminal bedrock records, alan is without doubt the rising star of dance music with his cross genre sound. and if that wasnt enough here is the first outing on adam beyers mighty drumcode! adam, who is unbelievably fussy and purveyor of nothing but absolute quality, snapped up this two tracker instantly – a testament to alans awesome sound. both >statix< and >rubix< are earthshakingly good. both hard and funky, but at the same time extremely versatile, and will be excellent mixing tools and big records in ther own right. the kind of records that never leave the box. get it..

mississippi records this time delivers a great collection of guitar-driven melodic and rocking blues and gospel, recorded between 1927 and 1934.

produced by the neptunes & timbaland. featuring janet jackson, bubba sparxx and clipse. incl hits senorita, rock your body & cry me a river !

everyone knows this feeling, when a hook line of a track wont let you go. one says it is a tune wedgie, even if it sounds a bit weird in the clubbing scene. but never you mind, you just start singing out of the blue. olene kadar just hit the bulls eye with >yipyippyip<. this track impresses with an extraordinary addicting ragga vocal and puts on top his breathtaking freaky beat wrapping. one wonders where to put this into a greater content: musical seriousness or simply the fun factor. but in the end people always go crazy, when olene kadar rocks one of the countless parties in holland. the artist playing right after him faces a difficult time. that is what dave aju might have had in mind. his remix heads for another direction. very relaxed and reduced to the bare essentials he slows down the tempo to garnish this fantastic groove with the vocals and e-piano chords. so cool. on the flip you will find the dashing rave monster >neal deepersma<, that brings olene kadars former releases on mos ferry back to mind. on the label website you will get a free bonus download called >looking for an<.